Toodiva made a list. Lists comforted the universe. She underlined possible hiding places with a pencil that smelled faintly of rain. “We’ll follow the laughter,” she said. “Names that run off often trail their mirth. Who last saw it?”

Back in her crooked house, Toodiva set the wooden name tag on the mantel beside the jars. It fit there like an idea that had found its shelf. The kettle boiled down to a whisper and the moon threaded a silver leaf through the maple.

“I wanted to know if being something else was fun,” the tag confessed in a voice like a pencil line. “If the world would notice me differently. I wanted to see what happened if I sat under a page.”

“What was lost?” she asked.

At the bakery, Toodiva found a rolling pin that had taken to performing and a list of unfinished recipes. She convinced the loaf to stop running by telling it a joke so dry it needed molasses. The bread settled and, grateful, gave up the morning it had swallowed.

Toodiva tilted her head. The visitor smelled faintly of rain and coins. “Come in,” she said. She let the bell tinkle once more and closed the door behind them. The kettle, having decided the world still needed boiling, resumed its gossip.

The child offered Toodiva a folded paper. Inside was a map—no streets, only tiny drawings of things that might be: an unfinished bridge, a bakery missing a sunrise, a clock missing its hour. A dotted line ran between them, and along the line were little laughing faces, like breadcrumbs for nonsense.

Toodiva Barbie Rous lived in a house that did not look like a house at all. It sat crooked between a maple with one silver leaf and a row of shops that sold things you did not know you needed until the shops winked at you. Her front door was round like a question mark, painted the color of afternoon lemonade. Above it hung a bell that tinkled every time someone with a secret crossed the threshold.